Wednesday, August 03, 2016

Unbound: explorations into indigo opening this week

 My new exhibition Unbound: explorations into indigo opens this Friday night at in.cube8r gallery 321 Smith Street Fitzroy.

Works on paper, mulberry bark, silk scarves - all dipped in or painted with indigo - that most mystical of dyes.

Saturday, July 16, 2016

Sunday, May 15, 2016

making shifu

I made some kami ito ages ago and kept it (I thought) safely hidden away. When I decided to test my new lap loom to see how well I could make shifu on it, I found that Certain Cats had found the kami ito and played cat's cradle with it. Here is Nero contemplating his sins.
 It look ages to gently disentangle it
But I got there in the end and started to make a little experimental shifu, using the beautiful deer bone needle, made and given to me by the lovely Velma.

Tuesday, May 10, 2016

bark and ink

still absorbing and playing around with the wonderful techniques and ways of looking at the world that I learned at Sophie Munns' Seeds Through an Artist's Lens workshop last month.

Using non-traditional tools like sticks, pieces of bark, feather and leaves is an incredibly freeing way of painting and drawing.

Thursday, April 28, 2016

more practising

painting this time - and finding my shapes and textures in this new technique.
 And really pushing my 'not usually chosen colours' button by playing with neutrals - there's the first layer

Wednesday, April 27, 2016

more baskets

 I've been practising my twining - with iris leaves, feathers and eco-dyed silk string
dianella, feathers and eco-dyed silk string

feathers and indigo dyed hemp string

Monday, April 25, 2016

Seeds Through an Artist's Lens workshop

This weekend I was lucky enough to spend two days working with artist and seedonaut Sophie Munns
Sophie's Seeds Through an Artist's Lens workshop was held at the Royal Botanic Gardens here in Melbourne. Sophie has been studying seeds for a long time and has had a number of residencies at seed and plantbanks in Australia and at Kew Gardens. As well as her studies and interpretations of seeds through her art in a range of media, Sophie's work with seeds and her workshops encourage discussion and knowledge-sharing about biodiversity, climate change and the stark choices we as the dominant species on this planet have to make if we really do want to avert disaster. 
While most of the weekend was spent focused on art, Senior Conservation Botanist Neville Walsh very kindly gave up his Saturday afternoon to come and talk to us about his work, especially the loss of grasslands in western Melbourne as the suburbs continue to sprawl, and the impact of climate change on alpine regions in Victoria, which have had unprecedented numbers of bush fires and habitat loss in the last few years.
I learned so much at Sophie's workshop (not least that Melbourne has a seedbank). We drew with sticks and ink

we did 4 sketches in 5 minutes of our chosen seed pod
and made concertina books. The first book had to be painted using colours we wouldn't usually choose - this was a challenge for all of us. I chose magenta, yellow and and acidy green, all of which set my teeth on edge as I squeezed them onto my palette.
For the second book we could go back to our comfort colours and that felt much better.
Then it was drawing with ink and folding into concertina books.
This rather Mallee fowl nest of papers is the work I produced over the weekend 
An excellent workshop - if you get the chance to work with Sophie grab it with both hands.

More information on Sophie Munns' work here

and the Royal Botanic Gardens Victoria seedbank here